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Final Moments of Illumination by *Tyrobia:iconTyrobia:





The candle wax melted down to the point where the wick wouldn't burn anymore, its cinnamon aroma filled the studio apartment, as promised.  The package said it would last for four hours straight.  It was running on three hours and thirty-seven minutes when it began to fight for its life, slowly dying out, and the cassette tape remained in the same spot, in the same position Greg left it when he placed it down and lit the match to kill the candle.  Within that time, he retrieved a letter and bought a cassette player, tasks which he completed within twenty minutes of lighting the match, so for the other three hours and seventeen minutes, he sat and stared at the tape, slowly mustering up the courage to finally play it.

"Are you just going to stare at it?" he asked himself.  He'd been repressing the repetitive thoughts dancing in his head, pushing them into the back of his subconscious, but as the time passed, and the candle slowly whittled away, those two words edged their way into a boding order.

Play it.

"You need to know," he murmured.  "It's the only way you'll get closure from the bastard."  He nodded in agreement with himself, picked up the tape and the player, paused, then put them both back on the table.  "Coward."

He reached into the garbage bin next to him and pulled out a crumpled piece of paper for the third time that day.  He neatly flattened it out and reread the words:

Dear Greggie,
Hi, baby!  I'll just get right down to it.  You asked me to sit in for you during your father's will reading.  I have some bad news.  He didn't leave anything for you.  

"What a surprise," he scoffed.

Please don't take it too personally, sweetheart.

"Oh I won't.  But for argument's sake, just how else should I take it?"

I'm sure he just thought he'd outlive you, and you know how untimely his death was.  

"Yea, cancer.  Real untimely."

He didn't have any time to fix or change it.  

"He wouldn't if he did.”

He would've if he could've.  He loved you.  We love you.  I hope you know that.

Love,
Mom

P.S.
I know it might not mean much now, but here's something that your father made for you some years ago and never really got around to giving it to you, since you two stopped talking and all.  I never listened to it, so I do not know what it says, but hopefully, it will give you some insight on him a little better.

Greg immediately crumpled the letter back up and slam-dunked it in the trash bin.  "What was the point of that, huh?” he asked himself.  "You're just gonna pull it out of the trash can and read it again, because you're stalling.”  He slowly began to reach for the tape player.  "You're a stronger man than you were when you talked to that son of a bitch.  Nothing he can tell you can hurt you.  Not anymore.”  He took the tape and slid it into the player, teasing his fingers around the play button.  As he did this, his eyes wandered around the desk and landed on the folded letter that simply had "Greg” written on the front.  He set the player to the side and snatched up the paper.  "Then why do I still keep this?”  Silent, angry drips of salt water escaped his tear ducts as he ripped the letter open.  It read:

Greg,

Knowing that you, my son, are what you are disgusts me.  It literally gets me sick to my stomach.  They say that love is unconditional, so I don't understand why you're doing this to your mother and me.  What did we do to make you lash out like this?  I used to be so proud of you, now I'm not sure I can even look you in the face anymore.  I'm writing you this letter because I'm positive if I tell you this in person, I'd end up choking the life out of you.  There's only so much you can do before we stop forgiving.  It was hard enough when we found out you were a junkie, hooked on that poison, stealing from your own family like we were strangers.  Then you got that gay-killer disease and made us believe it was from your needles and the like.  Now you tell us that you're…well, I'm done.  We're done.  You disappoint me, and I say that only because I'm too frustrated to take the time to look up a more appropriate word for it.  That might be a word that your mother would use, but I know there's something more fitting in the English language.   Saying you’re a disgrace is an understatement.  You’re a waste of my good sperm.  I don’t want to see or hear from you ever again.  Don’t consider me your father.  Don’t consider us family.  You’re dead to me.  Soon, you’ll be dead to everyone, as that is God’s way of taking care of the problem.  What you are isn’t natural, and I wish we could have caught it earlier so we could have prevented this disease from infecting you, but the Lord has already bestowed judgment on your soul with your ailment.  I pray that he has more mercy than I have for you.  I can’t forgive you for what you’ve done to this family.

John

By the time he’d finished reading, the tears had stopped flowing, and Greg stared blankly at the letter.  He'd read that letter so many times, he could probably recite it.  He delicately folded the letter back up, set it back down on the table, and picked up the tape recorder.  "What, John?  You weren’t satisfied with the letter?  Did you have to tell me how much of a disappointing drugged-out faggot your son turned out to be out loud too?”  He pulled the tape out and examined it.  It was blank.  For all Greg knew, it was empty.  "When’d you even do this, anyways?”

Maybe it’s not even him, he thought to himself.  Maybe it’s one of those crazy Christian pastor tapes that he always used to order.

He gave an empty chuckle.  "Maybe.  Maybe he might’ve found a tape to finally heal the gay in me!”

That'll be the day.

He reached into the garbage bin, pulled out his mother’s letter for the fourth time, and dipped it on the candle, into the flame.  The flame flung to the side, struggling to keep hold of the last bit of wick before hugging onto the crumpled page, eating away at it, leaving the residue in a black, charred mess.  Greg quickly let go and stared into the small burst, mesmerized.  "I could do that to it all,” he whispered, "then I wouldn’t have to worry about it anymore.  He’s gone from this world, and getting rid of this would make him gone from my life!”

The paper broke off into little bits and hopped in the air, gliding onto his desk.  Particles fell onto the player and Greg quickly brushed them off.  

Play it.

He picked it up and finally pushed the play button.

"Hey Greg,” the recording started, "it’s your pop.”  The voice was crackled and tired, yet stern.  "I know the years haven’t been too kind to our relationship, but I wanted to get a few things clear to you.  Well—uh—well, son, you know I’m no good talking to you in person, cuz of the arguments and such, so I thought it’d be best to say what I gotta say here on this here tape.  No interruptions.  No rebuttals.  No goddamn mediating from your mother.  Just words out of my mouth.  For you to hear.  From me.  True words.”  The speakers belted out a long sigh.

That’s just like you, Greg thought.  You were more of a man than me but not man enough to say this to my face.

"I know what we’ve been through is a lot,” it continued, "but it’s nothing like what you’re going to go through now.  I told you that if you ever dropped out of high school, I’d disown you, but you dropped out anyway, and we got through that.  The drugs—the stealing—I didn’t know if we were going to come out of that, but we did.  The choices you make in life dictate the consequences that fall upon you, and dropping out got you into drugs, or drugs got you to drop out, I don’t know.  Drugs got you to the needle.  The needle got you stealing for more drugs, and then you got the AIDS.

"You made some piss poor decisions in your life, but you survived from them.  And you know what?  You’re gonna survive the AIDS, too."  The playback emoted a couple of sniffles.  "You know why I know that?  Because you done changed.  You got off that stuff.  You started getting healthy.  You take your meds every day.  You’ve got that sponsor that cares about you so much.”

“That was my lover,” Greg chuckled.

"You’re turning your life around, and I couldn’t be more proud than that."  The dialogue stopped for a few moments, and the sniffles became gasps and painful moans.  "No matter what happens," it continued, slowly, almost in an attempt to keep composure but failing and breaking down completely into sobbing, "you’re still my son.  I want you to know that no matter what I’ve said, I’m proud to be your father.  I love you son.”  The playback stopped.

Greg stared down at the tape, indifferent.  "I’m not crying,” he murmured, voice breaking down.  He rewound the tape and replayed it.

As the tape replayed its apology, Greg thought about the letter he read dozens of times, the words that cemented in his brain as his father’s overall opinion.  The disappointment.  The alienation.  The insults.  The retraction of his birth-given right to have a father.  Soon, you’ll be dead to everyone, as that is God’s way of taking care of the problem.

"I want you to know that no matter what I’ve said,” the playback continued, "I’m proud to be your fa—”

Greg abruptly stopped the tape.  Don’t consider me your father.  "Hmph,” he grunted, then dropped the tape player on the candle.  "I still can’t forgive you for what you’ve done to me.”  The recorder mashed the remnants of the letter down into ashes, causing it to mix in with the wax as it splashed on the table.  The weight of the player was too much for the flame to handle, fluttering around to catch grip.  Ultimately, it gave up, exhaling one final time before extinguishing completely.
©2009 *Tyrobia
:icontyrobia:

Author's Comments

Synopsis: A man deals with his unaccepting father's death.


WARNING! This comment is extremely long and might be on the borderline of boring to read...read the piece instead...it's more interesting.


Ok...another piece that I'm a little weary about posting up. Not so much because it's personal...not even so much because it took an incredibly long time to write it, but on the same token, it's scary having someone read something outside of your comfort zone, and this definitely fits this category, because I've never done this before: focusing on one character and working around letters as my dialogue. Hope it turned out alright.

This is introducing the character Greg Maybell, whom I wrote into the Tim/Gina project. So, of course, he's in the universe of:

Gustov Chiclinté [link]
Milton Fickleburg [link]
Gina and Trevor Williams [link]
Timothy Riley [link]

1,786 words.

Preview image is a from my visual poetry deviation Panic Art

***EDIT***
3/18/09

Getting this puppy ready to turn into a publisher, so I did a couple changes here and there. None too noticeable. Just subtle changes in wording and an added sentence in the end. Also took out some swearing to make it PG-13ish. Added 11 words.

05/08/2009
-Omitted 60 words.
-Shortened the ending
-Final Draft


Exercises

Ch 3 #5
Have a character write a letter to someone with whom she's had a misunderstanding or disagreement, but have her do this without addressing the problem directly. Perhaps she's being polite, perhaps she's trying to protect herself, but in any case, she dances around the main issue in the letter, which is not to say that she does not scold, war, set straight, dress down, or otherwise tell the second character off.
In the course of this letter, she will be telling us something about the second character, the one with whom she has the problem, but inadvertently, she will be telling us even more about herself—about her own prejudices, biases, insecurities, jealousies, and fears.

See story

Ch. 8 #5
Select a tense situation such as an auto accident, a potentially violent encounter, or a disintegrating love affair, and describe it four times from four different points of view:
a. first person
b. third-person limited omniscient
c. third-person objective
d. third-person omniscient
Which point of view works best for this material, and why?

a. Made it too personal, also made it inappropriate for a lot of the narrative to be placed in. It was just as revealing as this version, but it couldn't be worded as elegantly, it got to choppy, varied. Greg has a complex mind, and it would make the whole theme of the candle irrelevant.
b. I used this version. It works so well because it neither gives too much information or lacks it. It dives into the psyche of Greg, which we want to know some thoughts that are going on in his mind, but leaves the story ambiguous enough to leave your own opinion on the matter...which strikes discussion.
c. No where near enough information given, although perhaps the second best way to do this...the story still flows out well, but you don't know why Greg says some of the things he says (although it still makes sense), also the whole realization in the end is taken away. In other words, take out everything Greg thinks (all the italics) out and you have the objective version. I might post it up as an example in the scraps.
d. Gives too much information. I end up letting the audience know when the tape and letter were recorded/written, taking out all ambiguity and mystery. Most of all, it takes every ounce of suspense out of the story. It's not a feat of great heroism where telling the story over and over again makes the story better; it's a subtle realization a man has with his father.


Finally found it! I did this story off of a prompt, but I couldn't find the place where it was (this is why I need to start fav'ing news articles >.<;). The prompt was: "Pick an object from the room you are in and write about it in detail. Create a story around it." From :iconinked-page:. And lo and behold, it's for a contest.

Featured here:

[link]
[link]
[link]
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Critiques


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:iconcaroncecilia:
very well written....

good luck...

--
~Those talked over oft times make the best writers.
---
yeah, I'm one of those "I really like this, good job!" critics. So sue me...
---

I support: =DailyLitDeviations *100ThemesChallenge ~Prompt-A-Day ~CollabLit
:icontyrobia:
Thanks!

Good luck to you as well!
:iconcaroncecilia:
thanks!!

--
~Those talked over oft times make the best writers.
---
yeah, I'm one of those "I really like this, good job!" critics. So sue me...
---

I support: =DailyLitDeviations *100ThemesChallenge ~Prompt-A-Day ~CollabLit
:iconderivablezero:
I'm going to say a few things before I get to the editing portion of this critique.

I think that you've masterfully created a scenario that is wholly believable, here. I think that you've captured a moment in time, approximately 30 minutes worth (I'd imagine) that is going to haunt your readers for a very, very long time. Most people will remember an image long after they've forgotten why it was there.

I like what you did at the end, with the forward and back pacing of the letter with his father's new words but I think that it is shoving your meaning down the throats of your readers a little too much. If you took out that part and left it at the main character's admission of the inability to forgive, the piece would be 10fold stronger.

Here goes the editing, though:


"Are you just going to stare at it?" he asked himself, offhandedly.

My only problem with this line is that I don't like it when adjectives are added if the following sentence can already give you the feel for what the character is doing.

He reached into the garbage bin next to him and pulled out a crumpled piece of paper for the third time that day (second since he sat down and lit the candle).

My suggestion would be to leave it at "for the third time since he sat down and lit the candle". Parenthetical commentary by the narrator is unnecessary more often than not.

"You're a stronger man than you were when you talked to that man.

The repetition of "man" here is jarring. Try "him" instead.

landing on the folded letter that simply had "Greg” written on the front.

Watch your tense. "and landed". :)

Silent and angry drips of salt water escaped his tear ducts as he ripped open the folds of the letter.

Try "Silent, angry". Sounds better.

I used to be so proud of you, now I'm not sure I can even look you in the face anymore.

"Anymore" is unnecessary in this sentence.

He chuckled. "Maybe,” he said. "He might’ve found a tape to heal the gay in me!”

This line is heartwrenching and poignant. Drop the description behind it. Stop it at this.


And that's it for spot-checking. I loved this piece.

--
Support bacteria: it's the only culture most people have.
:icontyrobia:
Oh wow. Thank you for the compliment! I thought you were gonna rip it a new asshole, there. haha.

Ok, as for your critiques:

Every story I do, I try to get away with something or another, and every story that gets read, that thing I tried to get away with gets found and pointed at. Thank you for the thoughts on the offhandedly line, you're absolutely right.

The parenthetical commentary was an attempt of me struggling to compose my image in my head to words on the paper. It failed. Taken out.

Totally didn't even notice double writing the man thing...thanks for pointing that out, it's not a good approach, used something other than "him" though :)

Next two I implemented.

Now, the dialogue is probably the only place I actually fight critics on. I understand that it's unnecessary, but on the same not, most of the dialogue used by normal people is unnecessary, which is why I find it even more necessary. We are improper, flawed, grammatical messes, and the dialogue should reflect that.

Description removed.

And as for the whole taking out the last back-and-forth, I completely understand where you're coming from, and I had the same fear myself. I didn't take it out completely, though, I shortened it to keep the pace up, because, like you said, it did get a little preachy at the end. Blood Diamond was preachy, but I love that film. I just have to be more careful with how I preach, I suppose.

If you could, could you read through the last three paragraphs again and tell me if it still disrupts the pace? I'm just really reluctant to get rid of it completely.



Again, thank you so, so much! I'll return the favor.
:iconout-of-spite:
deriv caught all of the same things that I did, so it looks like you're set on that part :XD:

and keep thos last 3 paragraphs if you are still debating that part!

Oh, and don't ask me why, but to save too much repetition, I think you could change this part a bit:
"—I’m proud to be your father.”

'Don’t consider me your father.'


to:
"-- I'm proud to be..."

'Don't consider me your father'

Because the reader is going to remember what that first line said anyways and that keeps those 2 quick lines from ending in the exact same word.

--
~*~We Survive What We Can't Change~*~
:blackrose:Regrets are mistakes you don't learn from:blackrose:
Surrender to the Truth: [link]
Believe the Lie: [link]
:icontyrobia:
I'm not going to lie...first time I read that, I got a little irritated. I was like "Change MORE!?!?!?" But after I thought about it, and how to incorporate it, I took your advice, although I wanted to keep the tape playing constantly (I'm not sure why, maybe I'm trying to get ready for screenwriting), so I cut it a little shorter. Hopefully, that's better, aesthetically...
:iconthephantomtwinkie:
I think you've gotten everything changed and whatnot, from what the comments above say.

This piece was amazing! I was holding my breath during some parts, literally. It's emotional and hits a spot in the heart.

Good job :]

--
The result of that love is the equivalent to hamburger meat, lovely.
:icontyrobia:
Wow! Thank you so much! And thanks times two for the fave!
:iconout-of-spite:
lol yea I get like that too :XD: It's like - it's STILL not good enough?!

:lmao:

and it looks great! A little shorter was all it really needed. Just enough for the reader to get a good idea of what's going on but not to where it slows the story down and leaves the reader stumbling through it. and I completely understand why you'd want it to play constantly in the background but yea writing for reading is a little different from a screenplay cause you can have that sound in the background on screen but the main visual focus is always on the character, where as in writing, you can't always interject background noise into a stream of thought because it's more distracting to a reader.

you can keep both versions for if you ever did a screenplay for this story :D

--
~*~We Survive What We Can't Change~*~
:blackrose:Regrets are mistakes you don't learn from:blackrose:
Surrender to the Truth: [link]
Believe the Lie: [link]

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